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He does not know whether he is suited for finding out about them.

Franzen is 52. I am 54. Two years would not normally suffice to place the older of the two in the class of REALLY OLD fogeys, as opposed to the class of the merely old—but I am a classicist. No classicist can take this view of the sanctity of print; one mark of the serious scholar is, of course, a preference for the printed text that comes with an apparatus criticus, that is, one which publishes important variants from the manuscript at the foot of the page. Which is to say, of course, that we are trained to be aware of the errors that creep in during transmission; we are trained to regard corrupt texts with horror. And when we are confronted with the process through which a modern text comes to print, we see it as a battle: a battle in which those publishing the book do their best to smuggle corruptions into print, against more or less effective opposition from the person who had the misfortune to write it.” —Helen DeWitt

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